More than two years have passed since Creative FLIP kicked-off a new project cycle, continuing to pursue its overall goal, to support a healthy ecosystem for the cultural and creative sectors and industries (CCSI). Supported by the growing community of Creative FLIP project our dedicated consortium of five partners, the Goethe-Institut, European Creative Hubs Network, IDEA Consult, 3s Unternehmensberatung and Intellectual Property Institute Luxembourg, has worked intensively to present you a wide range of topics, tools and activities.

During the final conference, we showcased the project’s main results and continued the exchange with our audience under the slogan
FLIP Forward: Culture & Creativity Beyond Boundaries


On November 15, 2023, over 200 participants gathered at the landmark venue Les Ateliers des Tanneurs  in Brussels.

We enjoyed a rich program that shed light on the multifaceted world of the cultural and creative sectors. We exchanged with sector representatives and stakeholders on their views regarding future ambitions for a healthy CCS ecosystem, reaching beyond current boundaries.

This is how we work – the launch of the online platform on the status and working conditions of artists and cultural professionals was only one of many highlights ! We cruised along our flagship initiative, Creatives Unite, and discovered its new look and tools. We engaged in discussions about the power of transformation policies, cross-sectoral cooperation, and platforms for peer exchanges. We inquired about whether we should categorize CCSI occupations and why we need to talk about social inclusion, sustainability, greening, and more transversal topics when discussing the future of the sector.

Throughout the conference day, there were organized guided tours of Les Ateliers des Tanneurs, a pitoresque venue characterized by its Belle Époque-style architecture—a former department store and business building.

Find out more about the venue

AGENDA
Conference Venue: Les Ateliers des Tanneurs, Rue des Tanneurs 60A, 1000 Brussels
TIMINGSESSION
09:00 – 09:30Registration & Welcome coffee
9:30 – 10:00

WELCOME ADDRESS  🔴

  • Iliana Ivanova, European Commissioner for Innovation, Research, Culture, Education and Youth (video message)
  • Domènec Ruiz Devesa, Member of the European Parliament
  • Dr Elke Kaschl Mohni, Regional Director Southwest Europe and Delegate for European Affairs, Goethe-Institut
10:00 –11:00

FLIP CREATED PATHWAYS ACROSS BOUNDARIES – PLATFORMING 🔴

Creatives Unite – interactive presentation of our flagship platform, its new look and features

This is how we work – launch of the online platform on status and working conditions of artists and cultural professionals, presented by Joost Heinsius, Creative FLIP Senior Expert

  • Domènec Ruiz Devesa, Member of the European Parliament
  • Toby Dennett, Arts Council Ireland, co-chair of the OMC group on status and working conditions of artists and cultural professionals
  • So you Need Money? – how can CCS use a financing mix for the benefit of their organization?
    Demo of the “So You Need Money” Tool and conversation on the potential of impact investing for CCS with Arnau Picon, EVPA
  • My Intellectual Property – how to empower the sector through different learning sources and motivate them to use IP?
    Demo of the My IP Tool and conversation on “good practice” with Dr Karin Drda Kuhn, Learn IP project
11:00 –11:30Break
11:30 –12:30

FLIP CREATED  CROSSING BOUNDARIES – CONNECTING 🔴

Future policies beyond reactions – how to ensure proactive collaborative policies addressing transformation in and with the cultural and creative sectors (CCS)? A conversation based on Creative FLIP Transformation Policies.

Moderated by Sylvia Amann, Creative FLIP Senior Policy Expert

  • Maciej Krzysztofowicz, EU Policy Lab, Joint Research Centre, European Commission
  • Aiva Rozenberga, Strategic Advisor on Policy and Culture, Latvia
  • Heidi Meissnitzer, Permanent Representation of Austria to the EU
  • Learning Labs – Bringing culture and creativity into schools in the European Years of Youth (2022) and Skills (2023)
  • Twin hubs – Fostering long-term cooperation between creative hubs across Europe – P2P Exchange program results
  • Categorizing CCS occupations and skills – challenges and opportunities, Creative FLIP findings and recommendations
12:30 –12:50 ARTISTS WORKING ACROSS BOUNDARIES
🔴
Inspirational talk by
Katherine Ball, Berlin-based dreamer, citizen scientist & artist
12:50 – 14:00Lunch
14:00 – 15:30 PARALLEL SESSIONSIn person only
  • Tab Title
  • Campfire sessions
  • International Policies
  • This is how we work
  • Flipping Forward with IP
  • Categorizing CCS

Campfire sessions offer a platform for exchange among sector representatives and other interested audiences. Each session is led by two of our own Creative FLIP community members, providing food for thought on transversal topics of relevance (not only) for the Cultural and Creative Sectors.

The challenge of social inclusion through artistic practice and education
Facilitators: Ágnes Pethes, ADD ON & Marton Illes, Independent Theater Hungary

How can we foster social inclusion in young people through artistic work and non-formal education? With a background in theatre, education, and accessibility of (mainly visual) art, Ágnes and Marton will share their good practices and dilemmas, opening the discussion. In their daily work they focus on the empowerment & inclusion of the Roma community as well as the blind and visually impaired in Hungary. They look forward to exchanging about conscious and self-reflective ways of leading and participating in socially responsible artistic practices and educational initiatives.

Empowerment through sustainable maker-practices
Facilitators: Xavier Domínguez & Santi Fuentemilla, FabLab Barcelona

How can sustainable maker-practices serve as a catalyst for empowerment in today's design and educational landscapes? Xavier and Santi will guide you in an interactive session exploring sustainable maker-practices, emphasizing the significance of fab labs, digital fabrication, and the creative process of deriving biomaterials from food waste. They’ll address its practical applications, discuss the complexities of its integration into educational frameworks, and underscore the pivotal role of community engagement, culminating in a hands-on demonstration of the principles discussed.

Bridging the gap between education & work - on the example of good practices in the areas of textile, fashion, entrepreneurship
Facilitators: Tessa Moroder, Lottozero & Pauline Gamore, Le Textile Lab

How can we bridge the gap between formal education and the workforce? In their daily work at Le Textile Lab and Lottozero textile laboratories, Pauline and Tessa interact with and create bridges between schools and universities, current and former students, institutions, creative hubs, job hunters, recruiters and the textile and fashion industry. During this campfire session, they will guide you to map this process, pointing out existing obstacles and opportunities based on their experiences and complementing the scenario together with the group participants.

Experimentation through unexpected partnerships - a spark for creative innovation
Facilitators: Jed Milroy & Claire Docherty , Tinderbox Collective

New collaborations, especially those with partners from different backgrounds to our own, can lead to the most exciting new ideas. In this session Jed and Claire will share some examples of this in their practice at Tinderbox Collective, where they use music and the arts to bring people together and strengthen communities. Together they’ll guide the group participants to discover such possibilities in their own work and – cherry on the cake – find a musical way to share this group’s discussion with others.

International Policies beyond Borders - how to ensure proactive collaborative policies addressing transformation in and with the cultural and creative sectors (CCS)?

The accelerated transformation frameworks like the pandemic, climate change, and considerable geopolitical turmoil affect transformation readiness of the CCS and beyond, on the one hand. On the other, transformation also provides new opportunities in and with the CCS. 

The FLIP transformation policies approach - “From Reaction to Action - Collaborative Transformation Policies in Culture and Beyond for Future-Oriented Policy-Making and Action” - provides orientation for future action involving the different actors in the eco-system with a cross-sectoral approach. 

During this session, we explore how collaborative transformation policies contribute to updated frameworks in the field of International Cultural Relations. How to enhance global cultural cooperation in view of related major transformations and the EU multilevel governance settings? The participative approach in the sessions allows related insights from different backgrounds and horizons.

This is how we work – Status and Working Conditions of Artists and Cultural and Creative Professionals

Working conditions in cultural and creative sectors across the EU differ greatly from country to country, showing quite some diversity of social security and labour frameworks. But the challenges faced by artists and cultural workers are often shared. How can we all learn from this diversity? The Report of the Open Method of Coordination (OMC) group, titled ‘The Status and Working Conditions of Artists and Cultural and Creative Professionals, serves as the foundation for the next crucial step: the establishment of an online platform to facilitate ongoing information exchange and tracking new developments.

During this session, we will introduce the Online Platform on Working Conditions, provide an overview of its initial structure and functionality, and invite your feedback. How should the Platform evolve, who should be involved, and which topics should be covered?’ 

Flipping Forward with IP: Crossing the boundaries together.
Ready to embark on an Intellectual Property journey with us? Join us for an inspiring session that dives deep into the dynamic world of IP with real life cases and discover its profound impact on the creative and cultural universe. 

In an informal and interactive setting, we will:

  • explore the different IP learning sources for the CCS to empower the sector, 
  • unlock the real-life examples behind the not-so-easy-to-understand IP law,
  • unveil the pivotal role of IP in creative clusters in fostering vibrant creative communities,
  • listen to the fascinating success story of a musician who has transformed melodies into royalties.
    And who knows, maybe he can even bring his guitar!


We will be also be happy to speak about your own success (or fail!) IP stories, and get your questions. Your journey to go beyond the boundaries begins here by knowing your rights and respecting others’. Then, what are you waiting for?

Dr Karin Drda-Kühn, Learn IP Project Coordinator
Dr Thomas Bürvenich, IP Attorney
Kristian Horsburgh, Luxinnovation Creative Industries Cluster Manager
Georges Goerens a.k.a. Bartleby Delicate, Musician
Moderator: Onur Emul, IPIL

Categorizing CCS - an impossible task?
It is one of our most fundamental cognitive abilities to identify shared features or similarities of objects, events, or ideas, and then to group ("categorize") these in order to make sense of the world. Without categorization, learning, language, memory, decision making (to name a few only) would be impossible. The production of cultural statistics also depends on categorization, on a distinction of what is to be measured, and what not.

In this panel, organized together with the CHARTER project, we want to discuss the benefits but also the dangers of categorization related to the self-image, the measurement, but also the visibility of the CCSI: categorization enables a highlighting of similarities, but it also has the potential to exclude the unforeseen, the evolving, the fringes. 

Our discussion will focus on cultural-creative occupations, and be organised around the following questions:

  • To what extend do viewpoint and goals of the “categorizer” shape the categories?
  • What are the limitations and dangers of categorizing the occupational scope of the CCS?
  • Is it all possible to develop an occupational categorization of the CCS that serves all purposes? If not, how to deal with this dilemma?

 

Koenraad Polley, ESCO Secretariat, European Commission, DG EMPL
Florian Schneider, NTNU / CYANOTYPES project
Daniel Antal, Data scientist and founder of Reprex B.V.
Moderators: Claudia Plaimauer, Creative FLIP/3s & Elis Marcal, CHARTER project / E.C.C.O.

 

Campfire sessions offer a platform for exchange among sector representatives and other interested audiences. Each session is led by two of our own Creative FLIP community members, providing food for thought on transversal topics of relevance (not only) for the Cultural and Creative Sectors. 

The challenge of social inclusion through artistic practice and education
Facilitators: Ágnes Pethes, ADD ON & Marton Illes, Independent Theater Hungary

How can we foster social inclusion in young people through artistic work and non-formal education? With a background in theatre, education, and accessibility of (mainly visual) art, Ágnes and Marton will share their good practices and dilemmas, opening the discussion. In their daily work they focus on the empowerment & inclusion of the Roma community as well as the blind and visually impaired in Hungary. They look forward to exchanging about conscious and self-reflective ways of leading and participating in socially responsible artistic practices and educational initiatives.

Empowerment through sustainable maker-practices
Facilitators: Xavier Domínguez & Santi Fuentemilla, FabLab Barcelona

How can sustainable maker-practices serve as a catalyst for empowerment in today's design and educational landscapes? We'll do an interactive session where we'll explore sustainable maker-practices, emphasizing the significance of fab labs, digital fabrication, and the creative process of deriving biomaterials from food waste. We address its practical applications, discuss the complexities of its integration into educational frameworks, and underscore the pivotal role of community engagement, culminating in a hands-on demonstration of the principles discussed.

Bridging the gap between education & work - on the example of good practices in the areas of textile, fashion, entrepreneurship
Facilitators: Tessa Moroder, Lottozero & Pauline Gamore, Le Textile Lab

How can we bridge the gap between formal education and the workforce? In their daily work at Le Textile Lab and Lottozero textile laboratories, Pauline and Tessa interact with and create bridges between schools and universities, current and former students, institutions, creative hubs, job hunters, recruiters and the textile and fashion industry. During this campfire session, they will guide you to map this process, pointing out existing obstacles and opportunities based on their experiences and complementing the scenario together with the group participants.

Experimentation through unexpected partnerships - a spark for creative innovation
Facilitators: Jed Milroy & Claire Docherty , Tinderbox Collective

New collaborations, especially those with partners from different backgrounds to our own, can lead to the most exciting new ideas. In this session Jed and Claire will share some examples of this in their practice at Tinderbox Collective, where they use music and the arts to bring people together and strengthen communities. Together they’ll guide the group participants to discover such possibilities in their own work and – cherry on the cake – find a musical way to share this group’s discussion with others.

International Policies beyond Borders - how to ensure proactive collaborative policies addressing transformation in and with the cultural and creative sectors (CCS)?

The accelerated transformation frameworks like the pandemic, climate change, and considerable geopolitical turmoil affect transformation readiness of the CCS and beyond, on the one hand. On the other, transformation also provides new opportunities in and with the CCS. 

The FLIP transformation policies approach - “From Reaction to Action - Collaborative Transformation Policies in Culture and Beyond for Future-Oriented Policy-Making and Action” - provides orientation for future action involving the different actors in the eco-system with a cross-sectoral approach. 

During this session, we explore how collaborative transformation policies contribute to updated frameworks in the field of International Cultural Relations. How to enhance global cultural cooperation in view of related major transformations and the EU multilevel governance settings? The participative approach in the sessions allows related insights from different backgrounds and horizons.

This is how we work – Status and Working Conditions of Artists and Cultural and Creative Professionals

Working conditions in cultural and creative sectors across the EU differ greatly from country to country, showing quite some diversity of social security and labour frameworks. But the challenges faced by artists and cultural workers are often shared. How can we all learn from this diversity? The Report of the Open Method of Coordination (OMC) group, titled ‘The Status and Working Conditions of Artists and Cultural and Creative Professionals’, serves as the foundation for the next crucial step: the establishment of an online platform to facilitate ongoing information exchange and tracking new developments.

During this session, we will introduce the Online Platform on Working Conditions, provide an overview of its initial structure and functionality, and invite your feedback. How should the Platform evolve, who should be involved, and which topics should be covered?’ 

Flipping Forward with IP: Crossing the boundaries together.
Ready to embark on an Intellectual Property journey with us? Join us for an inspiring session that dives deep into the dynamic world of IP with real life cases and discover its profound impact on the creative and cultural universe. 

In an informal and interactive setting, we will:

  • explore the different IP learning sources for the CCS to empower the sector, 
  • unlock the real-life examples behind the not-so-easy-to-understand IP law,
  • unveil the pivotal role of IP in creative clusters in fostering vibrant creative communities,
  • listen to the fascinating success story of a musician who has transformed melodies into royalties.
    And who knows, maybe he can even bring his guitar!


We will be also be happy to speak about your own success (or fail!) IP stories, and get your questions. Your journey to go beyond the boundaries begins here by knowing your rights and respecting others’. Then, what are you waiting for?

Dr Karin Drda-Kühn, Learn IP Project Coordinator
Dr Thomas Bürvenich, IP Attorney
Kristian Horsburgh, Luxinnovation Creative Industries Cluster Manager
Georges Goerens a.k.a. Bartleby Delicate, Musician
Moderator: Onur Emul, IPIL

Categorizing CCS - an impossible task?
It is one of our most fundamental cognitive abilities to identify shared features or similarities of objects, events, or ideas, and then to group ("categorize") these in order to make sense of the world. Without categorization, learning, language, memory, decision making (to name a few only) would be impossible. The production of cultural statistics also depends on categorization, on a distinction of what is to be measured, and what not.

In this panel, organized together with the CHARTER project, we want to discuss the benefits but also the dangers of categorization related to the self-image, the measurement, but also the visibility of the CCSI: categorization enables a highlighting of similarities, but it also has the potential to exclude the unforeseen, the evolving, the fringes. 

Our discussion will focus on cultural-creative occupations, and be organised around the following questions:

  • To what extend do viewpoint and goals of the “categorizer” shape the categories?
  • What are the limitations and dangers of categorizing the occupational scope of the CCS?
  • Is it all possible to develop an occupational categorization of the CCS that serves all purposes? If not, how to deal with this dilemma?

 

Koenraad Polley, ESCO Secretariat, European Commission, DG EMPL
Florian Schneider, NTNU / CYANOTYPES project
Daniel Antal, Data scientist and founder of Reprex B.V.
Moderators: Claudia Plaimauer, Creative FLIP/3s & Elis Marcal, CHARTER project / E.C.C.O.

 

15:30 –16:00 Break
16:00 –16:15

JOINING FORCES FOR A SUSTAINABLE FUTURE🔴

  • Keynote address by Dr Kirsten Dunlop, CEO, EIT Climate-KIC
 
16:15 – 17:15

BEYOND BOUNDARIES – IDEAS FOR THE FUTURE 🔴

Plenary discussion: Cultural and creative sectors can and should play a key role in the triple transition process (green, digital, social) in Europe, as well as in tackling different transformation frameworks (such as the pandemic, geopolitical turmoil, etc.). But what are the challenges and boundaries they face in taking a stronger role in this process? What are the existing opportunities and how can we empower the sector to grasp them?

Moderated by Nico Degenkolb, Advisor on Cultural & Creative Sectors & Industries, Goethe-Institut

  • Dr Kirsten Dunlop, CEO, EIT Climate-KIC
  • Dr Ambra Trotto, Design and Research Director d.centre, RISE Research Institutes of Sweden, EIT Culture & Creativity
  • Catherine Magnant, Head of Unit, DG EAC, European Commission
  • Lars Ebert, Secretary General, Culture Action Europe
  • Johanna Pichlbauer, Speculative Designer & Artist
 
17:15 – 17:30Conclusions  
17:30 – 19:00Networking Cocktail 

SPEAKERS

Iliana Ivanova

European Commissioner for Innovation, Research, Culture, Education and Youth

Domènec Ruiz Devesa

Member of the European Parliament

Dr Elke Kaschl Mohni

Regional Director Southwest Europe, Goethe-Institut

Dr Kirsten Dunlop

EIT Climate-KIC

Dr Ambra Trotto

RISE Research Institutes of Sweden

Katherine Ball

Artist, dreamer & citizen scientist

Toby Dennett

Arts Council Ireland

Aiva Rozenberga

Strategic Advisor on Policy and Culture

Heidi Meissnitzer

Permanent Representation of Austria to the EU

Maciej Krzysztofowicz

JRC, European Commission

Arnau Picón Martínez

Investing for impact network

Nico Degenkolb

Goethe-Institut

Catherine Magnant

European Commission

Johanna Pichlbauer

Speculative Designer & Artist

Lars Ebert

Culture Action Europe

Elis Marçal

CHARTER - E.C.C.O.

Daniel Antal

Data Scientist & Co-Founder of Reprex BV

Florian Schneider

Norwegian University of Science and Technology

Koen Polley

ESCO Secretariat

Dr Karin Drda-Kühn

Kultur und Arbeit e.V.

Dr Thomas Bürvenich

Alpheratz IP

Kristian Horsburgh

Luxinnovation GIE

Georges Goerens

a.k.a. Bartleby Delicate, Musician

Ágnes Pethes

ADD ON

Marton Illes

Independent Theater Hungary

Santi Fuentemilla

FabLab Barcelona

Xavier Domínguez

FabLab Barcelona

Pauline Gamore

Le Textile Lab

Tessa Moroder

Lottozero

Claire Docherty

Tinderbox Collective

Jed Milroy

Tinderbox Collective

Creative FLIP team

Dubravka Jurišić

Goethe-Institut

Wanda Poitschke

Goethe-Institut

Vassilis Charalampidis

ECHN

Natassa Likourgioti

ECHN

Myriam Patrou

ECHN

Eyad Daher

ECHN

Isabelle
De Voldere

IDEA Consult

Eveline Durinck

IDEA Consult

Carlo Vuilsteke

IDEA Consult

Sylvia Amann

Independent Expert

Joost Heinsius

Independent Expert

Elena Polivtseva

Independent Researcher

Cyrille Dubois

IPIL

Onur Emul

IPIL

Claudia Plaimauer

3s

Chris
Van Goethem

Independent Expert

Les Ateliers des Tanneurs​

ADT1

The Ateliers des Tanneurs is a vast complex made up of two closely interlinked buildings: the Belle Époque-style former department stores (the “Magasins Merchie-Pède”) and a business of industrial character integrated into the urban fabric (the “Palais du Vin”).

Construction of the Palais du Vin began in 1909 by architect Fernand Symons, who opted for the Art Nouveau style, reflected in the plant-inspired decor and polychrome facade combining glazed bricks, wrought iron, blue and white stone and sgraffito work by Géo Ponchon. The facade hides both the bottling rooms and the barrel-vaulted storage halls.

As of 1996, the magnificent complex belongs to the Public Welfare Centre (CPAS-OCMW) of Brussels. Renovated between the late 90s and 2006, it now hosts “Les Ateliers des Tanneurs”. The 8,000 m² space intends to be an incubator and centre for economic development, hosting businesses, a co-working space and events.